As I had heard, that was a very big sound. Two guitars, two drum sets on many songs. Two violins. Two keyboard/pianos. But not much in the way of melody or interesting arrangement of all those instruments. Except this song. This tune is truly awesome. Sprawl II http://www.youtube.com/watch?v=0L6ZFhZVOx0 Even in this video someone (whoever the main guy) sings over this lady's voice. But, I was glad that I was there with my very good friend, John. It's great to go to a show with a fellow critical ear. Add Comment ¡Eso! This concert has been on my calendar forever! Cimarrón is one of my favorite bands. They play joropo. Joropo is music that originates in the plains region of Colombia and Venezuela. Cimarrón is a very important band in my musical development. It was the fall of 2002 and I had just started working in the shop of the Old Town School of Folk Music. The store was given a promotional copy of an album called Sí, Soy Llanero: Joropo Music from the Orinoco Plains of Colombia (you can listen to it there). Cimmarrón is the band on the album. Eight years later I still listen to this CD all the time. I can't remember if it was given to me or if I just took it, but it was one of the first CDs of music from South America that I had ever heard. It was my first step in an interest in the music and culture of Colombia, which is an interest that continues to grow. The band is made up of cuatro, arpa llanera (harp of the plains), bandola, bajo, maracas, cajón and a tamor (drum) which rests on it's side kind of like a dunun drum from West Africa. The songs are super-fact, with the cuatro taking lead, rhythmic and harmonic responsibility. They said during the concert that the cuatro is the most important instrument in joropo music. I think I want to get a cuatro and learn to play it. It's similar to a ukulele and jarana. A couple things that I like about joropo are the speed of the songs, the strength of the vocals, the incredible rhythms of the maracas and the percussive use of the harp. I also love the dancing. It's very percussive and reminds me of zapateado from Veracruz, but has a different kind of kick to it. The dancers in Cimerrón are incredible. I've never heard percussive dance that fast before! Here is a video that represents their music pretty well. Another thing I like about the music is the singing. It's super passionate and the words come flying out of the singers mouths quicker than I can hear them. From translations that I have read, most of the songs are about the life some the men raising cattle on the plains or about the animals on the plains. ![]() After school, I went home, dropped my stuff off, and when back downtown to Cafe Gringo to meet up with Erensto. Cafe Gringo is awesome. It's beautiful inside. The building that it is in is 200 years old. ![]() Like a lot of places in el Centro, it doesn't look very big from the outside, but when you walk in you find that there's a pretty good sized garden area. So Ernesto and I played some improvised music pieces, which was great. And then some of his friends showed up. I took a break from playing with Oscar (on keyboard), Richardo (on guitar) and Ernesto, played some post-bop standards. One this I learned yesterday was that there is a lot of young people in Cuernavaca that like post-bop and fusion music. Who knew? ![]() After we were done at Cafe Gringo, we went over to El Manojo, one of my favorite spots in Cuernavaca, to hear some music. The place was packed! Turns out, there was some sort of a fusion variety concert or something. I never quite understood. Ernesto, Oscar and Richardo played again. This time they were joined by Julian on drum set, Andres on congas and Agustin on bass. Pretty cool stuff. I joined them, as did some other players for a big jam session at the end of their set. Very fun, but I couldn't hear a darn thing. I recorded it with my phone, but it's too much sound and didn't record well. ![]() Pavel - El Jarocho Two interesting people that I met last night. This is Pavel. He plays jarocho music and makes jaranas and requintos. He's a really interesting guy. He's studying how to make an instrument called the banjoquinto, which is the traditional instrument of Morelos, the state where Cuernavaca is. I hope to get to his workshop this week to see his instruments, and learn about the music of Morelos. Also, he knows about the Old Town School. ¡Qué padre! Another interesting person I met (I don't have a picture yet) is Catherine. Catherine is from San Francisco and is now a music teacher at an elementary school. She has an Irish music session today (Saturday) at Cafe Gringo. Can't wait to check that out. OK. Onwards! Sleepy Lou at the Grafton 08/11/2010
![]() I went to the Grafton Pub last night for the One Mic Stand, hosted by Mike Alberts. I had the please of hearing Sleepy Lou, the new duo from two of my closest friends, Maria McCullough and Jonas Friddle. We've made a lot of music together over the years, so it was great to hear what they've been working on outside of that. I was very impressed at how they used their voices to power the songs rather than their considerable instrumental abilities. I will also go to any concert where Maria sings Golden Slippers. Engines at The Hideout - July 28, 2010 07/27/2010
![]() I went to hear Engines last night at the Hideout. Jeb Bishop is so totally awesome. When I was a kid, if my Dad had an errand to run at night, I'd sometimes go with him. He listened to The Ed Love program on WDET, Detroit Public Radio. It was a jazz show. I don't remember if I ever asked my Dad about this, but I always thought it was weird that Ed would mention all the musicians that played on each recording. I didn't understand why he did that, when they didn't do that on the rock or pop radion stations that I listened to. Now I know why it's important. I'm glad I had a chance to ask that question at such a young age. |












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